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Date of Graduation
Spring 5-6-2011
Document Type
Dissertation
Degree Name
Doctor of Musical Arts (DMA)
Department
School of Music
Advisor(s)
Robert D. McCashin
Mary Jean Speare
Vicki Curry
Abstract
The compositional output of Igor Stravinsky is roughly divided into three periods: Russian, Neoclassical, and Serial. In his neoclassical period of composition, Stravinsky developed highly refined methods of formal construction, harmonic management, and use of counterpoint. Careful analysis of several neoclassical and transitional works serves to demonstrate Stravinsky’s innovative methods of voice leading, economy of pitch class set material, and ingenuity in redefining Classical era forms. Stravinsky’s Russian ballets are stylistically focused on practical and stage-oriented formal structures, stratified counterpoint, and thematic content originating in folk materials. As he began writing more concert music, the extraction of these stylistic elements posed structural problems. By reinventing formal structures, harmonic relationships, and voice-leading procedures of the Classical era, Stravinsky constructed his neoclassical style of writing.
Recommended Citation
Szabo, Kyle, "The evolution of style in the neoclassical works of Stravinsky" (2011). Dissertations, 2014-2019. 83.
https://commons.lib.jmu.edu/diss201019/83
