Preferred Name
Mariam Da'Mes
Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 International License.
Date of Graduation
5-9-2024
Semester of Graduation
Spring
Degree Name
Master of Arts (MA)
Department
School of Communication Studies
Second Advisor
Carlos G. Alemán
Third Advisor
Kristen Okamoto
Abstract
This project seeks to understand how Palestine is embodied in narrative performances between diasporic Palestinian granddaughter and grandmother. Further, this project asks how these performances are nuanced by their intersectional identities and positions in a colonial state. Through performance ethnography, ethnographic interviewing, and poetic transcription, this project (re)presents poems on my grandmother's Palestinian history, and our collective, current experience of Palestinian diaspora. These poetic performances are also analyzed through the lens of performance theory, feminist intersectional theory, and decolonial theory. In doing this, this project moves towards an understanding of how Palestine is discursively created through embodied storytelling between granddaughter and grandmother, and how these ‘mundane’ performances in the private sphere have broader political implications.
Included in
Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons
